Original Drawings by L.S.Lowry.
"The Lake"
Image size
Original drawing,
L.S.Lowry
Laurence Stephen Lowry did not like to think about himself as an novice artist.
Individuals would occasionally accuse him of being self-taught and untutored. he commented,
'Started at fifteen years old. Don't know why?' My aunt stated 'You seem to be no good for anything,
so you may as well go to Art School.'
LSLowry started evening courses in antique art and free hand art drawing during 1905.
Later becoming a student in each the Manchester Academy of Fantastic Art and The Salford Royal Technical College at Peel Park.
College records present that Lowry attended art classes through the 1920's. Lowry had learnt from academics,
individuals such as the Frenchman Adolphe Valette.
This French Impressionist artist had made a huge impact on the artwork world.
He noticed from exhibitions in Manchester how the present developments in fashionable art were altering,
and had an affection for Pre-Raphaelite art, by artists similar to Rossetti and Ford Madox Brown.
A naive Sunday artist LS Lowry actually was not. Lowry strove for a particular method of painting and drawing, and for a topic Lowry might make unique.
Lowry ultimately selected the view from the Technical College window. Industrial scenes of Salford and Manchester, as opposed to that of a mannequin posing.
Throughout the early years L.S.Lowry lived in Victoria Park, the suburbs of Manchester.
As a result of lack of cash the household moved to Station Highway, Pendlebury.
There, the tree lined streets changed to manufacturing facility chimneys. Lowry recalled 'At first I detested it, and then, after years,
turned pretty fascinated by it, ultimately obsessed by it.'
He saw the topics for his work throughout him. In Lowry's later life, L.S.L. recalled a particular event. 'One day after missing a train from Pendlebury
(a nearby town) I had ignored for seven years, and on leaving the station, noticed the Acme Spinning Firm's mill.
The large black framework of rows of yellow lit windows standing up against the unhappy, damp charged afternoon sky.
The mill was turning out. "Gazing at this scene, which I had looked at many occasions with out seeing, with rapture.'
Bernard Taylor made the suggestion that helped Lowry achieve the stark figures and the pallor of the industrial sky
that he desired.
Taylor prompt Lowry painted on a pure white background. He experimented with layers of white paint on boards, leaving them for a time until
the surface became creamy.
LS Lowry used a really fundamental range of colours, which he mixed on his palette and painted on the white background.
'I'm a simple man, and use simple materials, ivory, black, vermilion (crimson), Prussian blue, yellow ochre, flake white and no medium (e.g. linseed oil).
That's all I've ever utilized in my paintings. I like oils... I like a medium you'll be able to work into over a time frame'.
Examining the surface of a Lowry painting reveals to us the variety of ways he worked the paint with brushes (using both ends),
together with his fingers and with sticks or a nail.
Some paintings are painted over the surface of different images.
The 1938 portray Head of a Man (Man with Crimson Eyes) when x-rayed confirmed a female portrait and probably a self-portrait underneath.
Someone once asked,'What do you do along with your outdated suits?' 'Wear them', got the reply!
Lowry actually wore them for work, wiping the brushes on his lapels and sleeves.
In 1932 the father of Lowry died . For the following seven years, his 73 year old mother became ill and fully ruled the life of Lowry.
After she died in 1939, Lowry painted 'The Bedroom Pendlebury' - in memory of those lengthy hours he spent there.
Demanding an excessive amount of his attention, Lowry would usually only be able to arrive at his studio after dark.
'My mother didn't understand my artwork, however she understood me and that was enough' Lowry said.
These have been years of isolation and rising despair, mirrored in the paintings of Lowry.
They depict derelict buildings and wastelands as mirrors of himself. As an official warfare artist - himself emotionally blitzed -
Lowry drew the ruined shells of bombed-out buildings. In 1939, the year Mrs Lowry died - the particular person he most wanted to please -
success came with the first London exhibition.
'When the mother of Lowry died, all interest in life was lost, continuing to paint was his greatest salvation'.
Just when this northern artist began to have success, Lowry was changing from the subjects that everybody wished him to produce.
'If it were not for loneliness, none of my works would have occurred'. A few of the most powerful paintings by Lowry are abandoned landscapes and seascapes.
A number of the most difficult pictures to take pleasure in are of solitary figures and tramps.
'These folks affect me in a method that the industrial scene by no means did.
They are actual individuals, unhappy people.
Sadness attracts me, and there are some very unhappy things. similar feelings in myself'.
All the things came too late for Lowry, but the later years saw the British artist turn out to be a famous celebrity.
Lowry also grew to become preoccupied about whether his art would last.
'Will I be remembered', he asked time and again, just like the art of the Pre-Raphaelites Lowry collected and cherished, 'I painted from childhood to childhood'.
Lowry grew to become an previous man, typically protesting to interviewers that he had 'given up, packed it in'.
LSLowry died aged 88 in 1976 just months before a retrospective exhibition of his paintings opened at the Royal Academy.
It broke all attendance records for a twentieth century artist.
Salford Museum & Art Gallery started amassing the artist's work in 1936
and steadily constructed the collection which is now held at the centre of the award-winning contemporary buiding bearing the artist's name.
Celebrating his art and changing the cityscape again.
A small quantity of paintings by the artist l.s. lowry have been published as signed limited prints.
Several of the most well-known being, 'Going to the match', Man lying on a wall, Huddersfield, Deal, ferry boats,
Three cats Alstow, Berwick-on-Tweed, peel park, The two brothers, View of a town, Road scene.
Please take a moment to browse and enjoy the signed limited edition prints and paintings by wildlife artist David Shepherd,
Also the work of Sir William Russell Flint whose paintings and signed limited edition prints are in great demand.
Famous for his portraits of Cecilia, Flint's greastest works illustrate the architecture and landscape throughout rural France
This holiday house near Brantome, in the area of Dordogne is ideally situated to enjoy the France.
The work of Mr L.S. Lowry has become of great artistic and financial importance of recent years. A selection of his signed prints and drawings
can be viewed and bought here
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